LATEST · 电影

法特赫

52025动作

主演: 索努·苏德/杰奎琳·费南德斯/维贾伊·拉齐/DibyenduBhattacharya/ShivjyotiRajput/纳萨鲁丁·沙/BinnuDhillon/AkashdeepSabir/InsaneAshraf/VijayantKohli
导演: 暂无
语言: 暂无
地区: 印度

立即播放下载 APP 观看

STORYLINE

内容简介

法塔赫（Fateh）是一个神秘人，他认为自己已经把过去抛在脑后，致力于在旁遮普邦开始平静的新生活。然而，当一名当地女孩成为网络黑手党的受害者并在德里失踪时，他无法走开。凭借他强大的技能，Fateh 从自我强加的退休中走出来，成为一名复仇天使，决心打倒整个网络黑手党集团。

动作印度

相关推荐

◎5.8▶

卧龙战警

Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.