内容简介
一位陷入哀痛的女子,前往偏远的森林深处,希望在那找到慰藉。却遇到了一位陌生人向她注射了一种麻痹剂。随着麻痹剂逐渐侵蚀她的身体,她必须在全身神经系统完全瘫痪前逃跑、躲藏并为生存而战。
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◎8▶鸷鸟盘桓
塞缪尔,一位记者,和他的实习生兼女儿艾娃,为他们的杂志报道了一起年轻女孩遇害的案件。在调查过程中,他们发现这起案件与另一起女性遇害案有着令人不安的相似之处。
◎5.1▶罗卡福特站
★Netflix話題熱作《白線》導演路易斯普列托全新驚悚鉅作,揭開地底塵封的靈魂軌跡 ★《神秘沼澤》影帝賈維爾古迪利斯最新力作,力揭詛咒背後的真相 ★巴塞隆納地鐵站最靈異都市傳說,喪命多人的列車隧道裡,隱藏著令人不寒而慄的真相…… 【演員卡司】 《心動隔扇窗》娜塔麗雅阿扎哈拉(Natalia Azahara) 《我和我的冠軍籃球隊》賈維爾古迪利斯(Javier Gutiérrez) 《The Rite of Spring》瓦萊麗亞索羅亞(Valèria Sorolla) 【劇情簡介】 多年前,一樁震撼巴塞隆納羅卡福特地鐵站的神秘事件,深深地影響了在這座古老而寂靜的車站工作的勞拉(娜塔莉亞阿扎哈拉飾)的生活。當她開始時發現這裡曾發生過多起離奇死亡事件,而其背後,隱藏著不為人知的秘密…… 《地下終劫站》試圖將觀眾帶入這個受詛咒的真實場景,並安...
◎3.2▶愤恨的灵魂
讲述一个地区受到许多神秘灾难和厄运袭击,因为未知的灵魂透过一名年轻男子来引诱人们,将他们带向令人战栗的命运。
◎6▶终极面试
某实力雄厚、背景神秘的大集团展开公开招聘,经过激烈角逐,最终有8名精英男女入围最终测试。他们被带入一间近乎全封闭的房间,在测试期间只有三条规则:1)禁止与考官和警卫交谈;2)禁止污损考卷;3)禁止离开房间。违反其中一条规则,将丧失考试的资格。应聘者面前的考卷是白纸一张,却发贸然落笔也是污损考卷的一种。在各种奇怪的规则之下,这几位精英变得手足无措,个性张扬的白人男子(卢克•梅布利 Luke Mably 饰)率先提议应试者们要共同合作,解决问题。拥有不同背景的男女看似走到一起,却不知机关暗藏其中。 与其说是一场激烈的就业测试,毋宁说是一场人性与智慧的大考验……
◎6.7▶好狗狗
一部由狗狗担任主角的恐怖片。 小狗印第跟随他的主人和挚友托德踏上了一段新的旅途,离开城市生活,搬到了乡下一栋空置已久的旧宅。然而搬进家后,印第却立刻被充满空阔角落的不详气息所困扰。一只死去已久的狗的魂灵现身,向印第发出若有若无的警告,而前任房主惨死的景象更是突然浮现在它面前。当托德渐渐屈服于萦绕房子的黑暗力量,印第必须与来自死亡的恶灵搏斗,保护它挚爱的人类。
◎7.5▶狙击电话亭
公关人员斯图(柯林•法瑞尔 Colin Farrell 饰)在外面瞒着妻子有一个秘密情人,为了躲避妻子的电话单检查,这天他又偷偷溜到街上公用电话亭准备打电话约会情人。不料,在他进入电话亭的一刹那,电话铃响了。虽然不知是谁打的电话,出于习惯,斯图拿起了听筒。 阴沉单调的男 声随即响起,警告斯图不要挂掉,否则将血溅街头!斯图当然没有理会这恶作剧般的警告,正要走出电话亭。这时,一声枪响,一名路人已经倒在地上。斯图吓得魂飞魄散,动也不敢动。 警察闻讯而来,然而他们对斯图的解释怎么也不相信,斯图还成了枪击案的主要嫌疑人。一时间,全城轰动,斯图的妻子和情人都闻讯赶来了……
◎7.6▶窗户边有人
From the director of LEAVE comes a new suspenseful and horrifying feature, set in the US.
◎3.1▶新活死人之夜
芭儿(布莱娜·布罗恩 Brianna Brown 饰)和强尼(肯·华德 Ken Ward 饰)驱车赶往家乡,去参加阿姨的葬礼。他们的车直接开到墓园,然而这里却空无一人,只有棺木停在墓穴的旁边。正当他们诧异之时,两个奇怪恐怖的男人袭击了准备电话求助的强尼,强尼吓得夺路而逃。芭儿继而发现,这两个人已变成吸血僵尸,连她的妈妈(Marcia Ann Burrs 饰)也成为他们中的一员。芭儿落荒逃跑,沿途的景象让她惊慌失措,似乎那久为归来的故乡已经变成充斥着恐怖僵尸的修罗场。路上,芭儿被瘾君子本(Joshua DesRoches 饰)搭救,暂时逃脱僵尸的攻击。但是她的恶梦并未就此结束,漫漫长夜仿佛没有尽头……
◎6.2▶血欲
因调查的案件涉及政治人物,刑警星野一正(津田寛治 饰)被“发配”至调查一课。该部门主要负责即将超过诉讼期的悬案,属于献少人问津的清冷部门。星夜不改追查真相的本性,开始查阅历年文献。一宗14年前的案件偶然映入他的眼帘:某捷克贵族后裔美夜子•罗君贝尔克(杉本彩 饰)的女佣被残忍杀害,嫌犯至今下落不明。一方面为美夜子的美貌所吸引,一方面决定让死者的冤屈昭雪,星夜开始着手此案的调查。他走访美夜子的别墅,得知真正的罪犯是一个名叫黑沼右京(要潤 饰)的年轻实业家。他偷偷潜入黑沼的府邸,却见到难以置信的一幕。由此,星夜开始逐步了解事件的真相,也慢慢了解到美夜子和黑沼真实的身份……
◎6▶鬼婆
日本南北朝时期,战乱不断,人民流离失所。一对婆媳生活在野草丛生的平原中,干着捕杀掉队士兵并剥掉铠甲换取食物的营生。 某晚,年轻的士兵八(佐藤庆 饰)从战场上归来,告诉婆婆(乙羽信子 饰)她的儿子已死,并留下来和婆媳一起生活。八不断挑逗儿媳(吉村实子 饰),终于有天晚上儿媳不顾一切,奔向八的住地,两人绞在一起…… 婆婆生怕儿媳离自己而去。正无计可施时,遇到带着鬼面具、声称拥有娇美面容的武士(宇野重吉 饰)。婆婆害死武士,戴着面具出没荒草之间,希望扮鬼吓退儿媳,但最终失败。然而更恐怖的是,婆婆戴上的正是一个被诅咒了的面具…… 本片荣获日本蓝丝带大奖(Blue Ribbon Awards)最佳摄影、最佳女配角奖。
◎6.9▶远古邪蛛
The film tells the story of single mother “Kara” (Elizabeth Roberts) who moves from New York to the quiet countryside with her two children for a job opportunity she can’t afford to turn down. The family moves into their humble new guesthouse. Kara begins her work as a private nurse to “Walter,” (Bruce Davison) a man stricken with multiple sclerosis and an appraiser of rare antiquities with a secretive past. Her teenage son, Jesse, (Arman Darbo) is unhappy about this most of all. Losing his friends and moving to the middle of nowhere hasn’t made his job of looking after his little sister, “Cambria,” (Chloe Perrin) any easier. Doom precedes them. “Akiba,” (Treva Etienne) a shady international associate of Walter’s, brings with him a mysterious relic of ancient origin. “Kara” encounters run in with a local sheriff played by genre veteran actor Denise Crosby. All too quickly they discover the relic contains more than just legends. Inside, waits a terrifying creature born of ancient darkness and pure instinct…a pre-historic cave Spider unlike the modern world has ever seen.
◎4.9▶冰刀
This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing. Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity. One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
