内容简介
一对年轻夫妇经常拍摄、上传自己探险水下房屋的视频。这次二人前往一个偏远的湖泊，意外发现了深水中一幢奇怪的废弃房屋，而他们的到来唤醒了深宅中的黑暗存在。
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◎10▶第八天之夜
该片是一部悬疑惊悚片，讲述为了迎战从封印中被释放的“那个东西”，人们所展开的殊死搏斗，全世界因被从封印中释放的“那个东西”而陷入了一片混乱，所有人为了生存不得不奋力一搏。片名中所提到的数字“8”也预示着完全、不灭、重生等意义，金裕贞将在片中饰演本身就散发着阴森气息的悬疑角色爱兰。
◎7.2▶闹鬼领域2：K小姐
母亲去世后，因为阿尔玛在 Sasmaya 公寓找到了一份经理的工作，她和妹妹米娅从雅加达搬到了泗水。由于意外，阿尔玛和米娅来到了封闭的6楼，去往了 610 房间。在那里她们看到了一个神秘女人和一个小女孩，小女孩口中念叨着：四天，日落......” 原来，610 是个闹鬼之地，任何到了这儿的人都会在四天后的日落时分死去。
◎8.1▶走尸之谜
由国内著名导演张瀚文执导，青年演员陈真希、侯京健主演的侦探推理电影《走尸之谜》即将上映，一组剧照被网友提前曝光。 数字电影《走尸之谜》讲述了归国刑侦专家阮烈（侯京健饰）调查一桩医院“尸体”自行失踪，医生意外触电身亡的离奇案件时，与珍藏心底的爱人——遇害医生的妻子杜桑（陈真希饰）重逢。随着案情的一步步深入，阮烈渐渐怀疑杜桑是谋杀亲夫的凶手，在爱情与正义之间，他无法抉择…… 《走尸之谜》导演张瀚文毕业于北京电影学院导演系后，坚持在电影上有所造诣，便留学于日本亚细亚大学，专修文化传媒专业。曾执导过《寻找酷巴熊》、《神秘的字迹》、《灰姑娘的水晶鞋》、《死了都要爱》、《玫瑰眼》、《寻找酷巴熊》、《神秘的字迹》、《铠甲勇士》等数部优秀的电影作品，担任中央电视台电影频道高清数字电影《永久凤凰》执行导演，被曝光的剧照中，电影以灰色偏柔和色调展现侦探悬疑感，在导演构思下，透过造型依稀可见各种人物性格，年轻时尚感显露无疑，有侦探漫画《名侦探柯南》的味道，导演欲将发生在民国时期惊心动魄的侦探片打造成中国版的《名侦探柯南》。
◎8.3▶隐私部分
When Cheryl and her roommate quarrel, Cheryl moves into her aunt's skid-row hotel in downtown L.A. rather than return home to Ohio. The lodgers are odd, Aunt Martha is a moralizer obsessed with funerals, murder is afoot, and the inexperienced and trusting Cheryl may be the next victim. She wants to be treated like a woman, and she's drawn to George, a handsome photographer who longs for human contact but sleeps with a water-inflated doll and spies on Cheryl as she bathes. Jeff, a neighborhood clerk, may be Cheryl's only ally in what she doesn't realize is a perilous residence haunted by family secrets. And, what happened to Alice, a model who used to have Cheryl's room
◎4.7▶棉花软糖
在一个与世隔绝的夏令营里，胆小又内向的12岁男孩摩根陷入了一场噩梦之中——曾经被当作传说的一个篝火故事竟变成了现实。摩根和他新结识的朋友们必须踏上一段危险重重的旅程，并揭开隐藏在表象之下的邪恶真相。
◎9.6▶堕入地狱
供职于某银行信贷机构的美丽女孩克莉丝蒂安（艾莉森•洛曼 Alison Lohman 饰）经过多年的努力，事业终于有所起色；她和男友克雷（Justin Long 饰）的恋情虽遭对方母亲的反对，却也是情投意合，顺风顺水。可是，一场无妄之灾将她的人生推向谷底。 住在布雷顿大街的吉普赛老妇人希尔维娅•加纳什（Lorna Raver 饰）因医疗纠纷面临房产被收回的困境，克莉丝蒂安同情她的遭遇，无奈规定所限无能为力。愤怒至极的加纳什迁怒于无辜的克莉丝蒂安，两人在车库中发生激烈搏斗，加纳什更向对方落下无情诅咒。在接下来的日子里，克莉丝蒂安遭遇诸多恐怖和离奇的事件。她决定拜访加纳什解决这一切，却发现老妇人已经去世。而魔鬼黑山羊的诅咒仍在继续……
◎7.9▶外星恶客
Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
◎6.2▶身后灵
在儿子不幸去世后，一名男子陷入了一场难以解释的幻象，在幻象中，他被一名跟他长得一模一样的男子纠缠。随着现实的瓦解，他必须直面自己的过去和困扰他的神秘力量，以免它完全吞噬自己。
◎7.3▶奶酪陷阱2018
中韩将联合拍摄《奶酪陷阱》电影版，剧版男主角“徐正”朴海镇、“白仁浩”徐康俊均已收到出演邀请，朴海镇表示如果是漫画原作者参与则愿意出演。剧版女主角“洪雪”金高银、“白仁荷”李圣经则未接到出演邀请。
◎3.1▶黑洞表面（国语）
未来几十年内，人类探索利用太空的程度不断加深。2040年，利用空间扭曲技术深入宇宙的“新领域号”消失于海王星附近。 2047年，新领域号突然在海王星发回讯号，内容似乎为求救，于是当年设计新领域号
◎3.4▶活死人归来2
行尸们又一次被控制了这次他们要更多的人脑！
◎5.5▶女巫也疯狂
故事发生在万圣节的夜晚，男孩马克思（欧姆里·卡兹 Omri Katz 饰）在误打误撞之中点燃了邪恶的蜡烛，将在三百年前早已经死去的三名女巫威尼弗雷德（贝特·米德勒 Bette Midler 饰）、莎拉（莎拉·杰西卡·帕克 Sarah Jessica Parker 饰）和马莉（凯茜·纳基麦 Kathy Najimy 饰）从地狱召唤回了人间。很久很久以前，这三名女巫因为吸食小孩的精气而被判以死刑，如今，再度回到阳间的她们决定重蹈覆辙。 得知了女巫们的阴谋，马克思决定绝不坐视不管。他找到了妹妹丹尼（索拉·伯奇 Thora Birch 饰）和好友艾莉森（凡妮莎·肖 Vinessa Shaw 饰）三人一起行动，计划破坏女巫们的行动。留给孩子们的时间已经很少了。