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网络大电影青春喂了狗2-《不一样的烟火》延续《青春喂了狗1》校园青春的路线，主要讲述一群体育特长生在豆蔻年华中情窦初开、为了梦想而奔跑的故事。通过“田径跑步”、“跑酷”等运动元素，给青春片注入了更多的活力和激情……
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◎7.1▶南方大作战
居住在东京一隅的上原一郎（丰川悦司 饰）在20世纪80年代曾是名噪一时的无政府主义运动领袖，运动衰退之后，他和富家小姐小樱（天海佑希 饰）私奔，先后育有洋子（北川景子 饰）、二郎（田边修斗 饰）和桃子（松本梨菜 饰）三个可爱的孩子，日常生计主要靠小樱经营的咖啡店维持。五体不勤的一郎保持着年轻时候的愤青姿态，对大到国家小到学校各种政策皆看不入眼，随之便是无情声讨，这令二郎分外尴尬。此后不久，二郎因打伤不良少年而面临退学的危险。危机时刻，小樱大胆提议举家前往一郎的家乡冲绳西表岛，在秀美风光的环绕下展开新的生活。而一郎的战斗从未停止…… 本片根据奥田英朗的同名小说改编。
◎4.2▶不速之客 – 请进客人
逃亡者，偏偏躲进了偷情现场。 因同伴的背叛，成了逃亡者的志勋，为逃避警察的追捕躲进附近一房屋。 但这一家，偏偏是妻子目睹丈夫偷情的现场。 在这种荒唐的情况下，志勋只好把他们三个抓为人质。 绑架犯对我来说是值得庆幸的客人。 参加葬礼回来的恩珠... 发现家里来了客人， 而且是两个。 一个是同丈夫偷情的朋友，另一个是从未见过的绑架犯。 在这种情况下... 更没想到这个劫犯竟站到了孤单力势自己一旁.....
◎3▶你的微笑
寒山寺传来的阵阵钟声，把姑苏古城从晨霭中唤醒。女导游陈蔼然又开始了紧张繁忙的一天。华裔老人宋尚清迢迢万里来到姑苏，不料却拒绝了旅行社为他安排一切活动，将自己孤零零地反锁在饭店的卧室里，足不出户。面对如此古怪的游客，陈蔼然凭借自己多年积累的接待经验，几番与老人接触，弄清楚事情的原因。原来，宋尚清祖籍山东，幼年时因家境贫困去海外谋生。几十年中，他历经人世间的冷漠和欺凌，孤身一人顽强拼搏，终于薄积资产。这次他回祖国的目的，是想寻觅往昔的宁静和乡音，以缓解埋藏在心灵深处的伤痛。陈蔼然理解宋尚清的心情。她以自己的情感和真诚，使老人感受到祖国的温暖，恢复了生活的乐趣。宋尚清巧遇族亲宋盼，没料到竟是自己老部下宋国雄的儿子，老人悲喜交加。陈蔼然得如此事，积极为宋尚清安排，使老人和国内亲属团聚。最后，宋尚清将宋氏先祖宋维的传家之宝犀牛角杯献给了古城，高兴地踏上归途。老人走后，陈蔼然又开始接待日本旅游团。旅游团随员今野向她透露，团员鬼冢在战争期间失去了仅有的两个儿子，孤身一人，对生活已失去信心，几次自杀未遂。团员田畑武雄则在侵华战争中充当炮灰，参与抢劫了一名中国妇女的两枚戒指，这次怀着赎罪的心情重访故地。陈蔼然听完今野的介绍，对他俩怀着复杂的心情，因为她自己的祖父是在南京大屠杀中丧生的。但她从大局出发，以礼相待这两位日本游客，使他们安心而归。华裔青年麦阿大和阿方被父母送回内地戒毒。他俩不断被毒瘾所折磨，以致失去戒毒的信心。陈蔼然对他俩晓之以礼，动之以情，终于使兄弟俩坚定了戒毒的信心，开始新的生活。陈蔼然虽然对工作、对他人满腔热情，可是对自己的婚姻问题却没有激情。她自称是一个独身主义者，但内心深处却默默地爱着为她辅导唐诗的李老师。她的外国女友露易斯自称既不当妻子，也不想做母亲，但暗中对李老师一往情深。这使三人都陷入了复杂的感情漩涡。陈蔼然将如何选择和安排她的个人生活呢？
◎5.4▶暮光之墓
Joseph isn't particularly happy, although he hides it rather well. The day his brother dies, the certainty sets in that life will pass him by. To ensure this doesn't happen, one evening, he gives in to his desire.
◎6.3▶农村合伙人
反应合伙人的创业历程，从白手起家到事业辉煌，在物质社会下的爱情坚守与金钱社会下的反目成仇
◎5▶丹麦小村教堂
The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown. Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath. The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments. In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church. On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast. Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive. The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
◎3.3▶星之子
芦田爱菜扮演初中三年级的女主人公千寻，故事讲述父母为了拯救出生后就病弱的千寻，相信了某个“可疑的宗教”，这种信仰逐渐让家族崩溃。
◎4.7▶埃及艳后
52岁的凯撒（雷克斯•哈里森 Rex Harrison 饰）以罗马执行官的身份驾临埃及，为了解决王室姐弟争位的事端。皇姐克里奥佩特拉（伊丽莎白•泰勒 Elizabeth Taylor 饰）美艳绝伦，凭借自身的魅力和政治手腕，迅速让凯撒拜倒在她的石榴裙下，不但获得了对埃及的统治权，而且还以美貌征服了罗马。 克氏与凯撒完婚后，为其产下一子，深得凯撒喜欢，被立为继承人。但此事引起了凯撒手下大将安东尼（理查德•伯顿 Richard Burton 饰）与屋大维（罗迪•麦克道尔 Roddy McDowall 饰）的不满。在凯撒遇刺驾崩之后，安东尼接掌了罗马的统治权，但他同样无法抵挡克氏的绝世美貌。当安东尼彻底沉溺于暴风雨般爱情的时候，身在罗马的屋大维已经吹响了夺权的号角……
◎4.1▶骏马奥斯温4
無論颶風與米卡相隔多遠，他們的心永遠緊緊相連。這回，有位特別的女孩走進他們的生命，展開新的冒險。米卡的朋友芬妮在社工實習時，遇到了不受控制的亞希。為了幫助亞希並避免她被囚禁在兒童之家，芬妮帶她前往凱登巴赫，進行特別的「馬術治療」。康先生發現亞希易衝動的個性裡，隱藏著蒙古古老傳說中的戰士特質，既勇敢又充滿力量。亞希一見到颶風就被牠吸引，而她似乎也對牠產生特別的影響。颶風和米卡能否找到新的靈魂知己呢？
◎5▶彷徨之刃2014
电影改编自日本著名推理小说家东野圭吾的同名小说。胜贤（郑在泳 饰）怎么也想不到，自己那乖巧可爱的女儿李秀珍（李秀彬 饰）会以一具冰冷的尸体的形式躺在自己的面前，然而事实已经发生，无法改变，李秀珍被卷入了一场谋杀案中，成为了案件里的受害者。 某日，痛苦的胜贤收到了一封神秘 的信件，追随着信件中给出的线索，胜贤见到了女儿临死前最后的影像，绝望和愤怒之中，胜贤杀死了罪犯之一的哲勇，事件并没有就此结束，一位依然有杀害自己女儿的凶手逍遥法外。哲勇的死吸引了警方的注意，一直在调查李秀珍一案的刑警亿观（李成民 饰）展开了对于胜贤的追捕。
◎4.9▶传销风云
怀揣梦想的林麟在不知情的情况下被女友武佳丽骗到传销窝点，面对传销分子的重重洗脑，林麟与之斗智斗勇，并成功逃离传销窝点，并配合公安工商系统一举将传销分子一网打尽
◎8.6▶吾友妻
两个服役期间认识的男人结成深厚的友情，退伍后，一个娶了漂亮的老婆在餐厅里当三流水平却也努力向上的厨师，他在对其总是板起严厉苛求脸孔的妻子面前总是装做一幅忠诚维诺的样子，内心充满了叛逆的因子。而另一个则成为外币买卖界人气日上、前途无量的黄金王老五，表面风光无限，实则内心暴躁脆弱。我，朋友和妻子，两男一女组成的男男、男女和女男等多重复杂的关系，如杂乱的迷宫世界，不全是纯粹的同志爱情，也非真正的婚外遇，连最后的杀人放火的悲剧都不仅仅是发泄心中仇怨那么简单。无心引发的三角拉致关系渐渐走近崩溃毁灭的边缘。人性的丑陋和阴暗面显露出原本的模样，张牙舞爪地考验着每个人的抵抗能力。