内容简介
The film is set in southern Georgia, which until the end of XIX century was dominated by the Ottoman Empire. The tragic time to be born people of high strength of spirit, such as Antimoz Iverieli - the philosopher-educator. Having experienced in childhood cruelty and injustice, it becomes the path of serving others. Having been removed by the Turks in Romania, a hero at any cost wants to return home. However hard and long this way. Sentenced to death, Antimoz remains in the memory of his countrymen champion of justice.
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◎5.7▶致命24小时
作家阿宝（汤怡 饰）与医生丈夫杨耀华（吴卓羲 饰）过着完美夫妻的生活。但一年前阿宝在深夜替丈夫把病历送到医院时遇上严重车祸后失去视力。 意外后，阿宝极力适应失明生活并继续写作。某日，杨医生要出差把阿宝独留家中两天。此时，不速之客郑文迪（潘灿良 饰）却上门要找杨医生。得悉只有阿宝一人在家，郑文迪潜入杨宅贴身暗窥阿宝一举一动，将她玩弄于股掌之中 — 原来文迪和杨医生有着血海深仇，豪宅之内，盲女与变态男，厮杀24小时。但看似一场猫捉老鼠的凌虐游戏背后，更凶猛的野兽其实却在暗角虎视眈眈。
◎7.6▶一丈天地
自古以打猎为生的黎阳寨因时代变迁而禁猎，又因种种原因即将面临搬迁。所剩无几的传统猎人秦朗和石伯因守护传承执意留下，村民价值观的差异和家庭的危机，内心的执着和自我的纠结……在历经了一系列困难和矛盾重重的事件后，最终,一切终于归于原有的平静。
◎8.6▶陕北大嫂
一个叫金大义的国民党骑兵受伤被俘，被安排在李家崖村。村民都不愿意接受他，只有一位善良的大嫂收留了他。骑兵头目哈胡子是金大义的义父，为寻找金大义来骚扰李家崖，金趁机逃跑，但是受伤未愈的他没跑多远就落在了沟里，大嫂为此四处寻找。村里断粮，金大义偷吃了小羊羔，大嫂获知丈夫牺牲的消息，悲愤的大嫂将金赶出了家门，但金自己回到了大嫂家。金主动承担了帮助村里运粮的任务，并与前来抢粮的哈胡子不期而遇，当哈要枪杀大嫂时，金向哈扣动了扳机。
◎9.6▶松花江上
东北松花江畔的一个小村庄里，人们都盼望着来年丰收的年景。一个青年和一个大汉赶着粮食车到集市上出售，傍晚时分，两人赶着车在一个车店门前停下，青年早已和车店店家的孙女相爱，店家家中还有女孩的祖父和父母。第二天早晨，青年又得赶车出发，他和店家的孙女相约下次再见面。不久后，“九·一八”爆发，日本入侵东北，孙女的父母亲均被日本人杀害。青年被抓走，半途义勇军偷袭日寇，青年趁乱逃回车店，碰见日寇正欲污辱车店孙女，青年打死日寇带孙女逃离此地，“七七事变”后，青年孙女等人不屈日寇的压迫，参加了义勇军，抗击日寇。
◎8.7▶一条狗的使命2
小狗贝利延续使命，在主人伊森的嘱托下，通过不断的生命轮回， 执着守护伊森的孙女CJ，将伊森对孙女的爱与陪伴，当做最重要的 使命和意义，最终帮助CJ收获幸福，再次回到主人伊森身边。
倒计时
The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R.
◎3▶梅格雷在蒙马特
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◎9▶崂山道士
一心想要修习崂山道法的轻狂少年王生，在众人的质疑之下执意踏上问道之旅。经历几番波折，终获高人指点与同门伙伴的支持。在解开身世之谜、坚定本心后，王生终于开悟。他决定用属于自己的方式，对抗妖道玄真！
◎6.8▶麻木(英语版)
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◎9.1▶歹徒们
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◎4.9▶两个人一双手
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◎6▶手铐2024
一个修锁匠，拎着给刑警队修理好的手拷，历经千辛万苦，千里追寻过失致人死亡而畏罪潜逃的儿子投案自首，不但拯救了儿子的生命，同时也用自己的一只肾，挽救了另外一条年轻的生命。