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青丘奇缘
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导演：谢天华 / 罗雷 主演：何蓝逗
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◎4.8▶搭车人
北京的暗夜，一位长相清秀的女学生搭乘停在路边的黑车去郊区，一场罪恶慢慢展开，一次救赎即将上演。
◎3.4▶爱乐骑士
圣乔治骑士约瑟夫·布洛涅（小凯文·哈里森 Kelvin Harrison Jr. 饰）1745年出生在法属加勒比地区，是一名非洲奴隶和一名法国种植园主的私生子。他在法国社会中拥有其他黑人无法企及的地位，他既是小提琴家 作曲家，又是击剑冠军。他与一位法国贵妇拥有一段不幸爱情，同时也与玛丽·安托瓦内特及她的宫廷闹翻，这也致使他早逝。
◎3.8▶蓝海
暂无简介，敬请期待
◎5▶乡下人的悲歌
杰德（加布里埃尔·巴索 Gabriel Basso 饰）是在耶律大学法学院攻读法律的天之骄子，在深造之前，他还是一名杰出的海军陆战队队员，如此出色的履历表令无比璀璨的未来在前方等待着他的到来。可就在这个节骨眼上，杰德收到了来自故乡南俄亥俄州的消息，他不得不返回家乡处理复杂的家庭事务，要是到，当初杰德可是费了好大的劲才从那个一团乱麻的家庭之中挣脱出来。 回到家乡后，杰德再度见到了自己喜怒无常、毒瘾缠身的母亲贝芙（艾米·亚当斯 Amy Adams 饰），这唤醒了他关于过于的糟糕的回忆，与此同时，杰德家族中另一位坚强的女性——他的姥姥（格伦·克洛斯 Glenn Close 饰）的形象也鲜活起来。
◎3.8▶逼婚记
故事梗概： 明朝末年，居住在济南府的国舅洪彦龙，在重阳节千佛山庙会上，看中了济南府有名才子兰中玉之妹兰贵金，要抢回府中成亲，由于历城知县阻挡，兰贵金才得以逃脱。随后，洪彦龙以赏菊吟诗为名，将兰中玉骗进府中，逼其代妹应亲。兰中玉坚决不允，洪彦龙大怒，把兰中玉锁于客厅，威胁他不允亲事不准出府。洪府丫环春梅深恨国舅的丑恶行为，见义勇为，救出兰中玉。师爷发现兰中玉逃走，紧闭院门搜查，春梅带着兰中玉无处躲藏，无奈上了皇姨的绣楼。洪彦龙的妹妹洪美蓉，忽见一秀才闯入锈楼，又羞又急，春梅向她说明情由，美蓉深恨兄长横行不法，又久慕兰中玉的才貌，决定与他私定终身。 洪彦龙连夜赶往兰家抢亲，历城知县闻讯赶到，救了兰金贵并将师爷带回县衙问罪。洪彦龙以势压人，威逼知县袒护。兰中玉之母黄氏上堂告状，知县亲往两家查明了情况，然后秉公而断，判兰中玉无罪，痛打了洪彦龙，伸张了正义，并成全了兰中玉与洪美蓉的亲事。 导演：赵瑞起 编剧：高洁执笔 济南市吕剧团集体创作 于廷臣 主演：张万真 高秀文 董砚萍 赵士荣 杨德君 上映：1979年 地区：中国大陆 颜色：彩色 类型：剧情片 戏曲片
◎9.8▶渔蚌记
郭雷的哥哥郭震假冒郭雷，到未婚妻何婷婷家求亲，前来寻找失踪的弟弟。可是却遇上了一系列的怪事。先是何家老爷悔婚，然后是后院闹鬼。当何婷婷疯了的真相曝光后，何家的每一个人都给了郭震一个不同的解释，何家的每一个人都想要暗算郭震，郭震身在迷剧中，最终选择了离开何家。 何继安私通大哥小妾，残杀兄嫂侄女，霸占家产的阴谋终于得逞。就在何继安大肆庆祝的时候，郭震突然带着装疯的何婷婷返回，每个人都在演戏。最终，恶人得到应有的惩罚。
◎6.9▶三叉戟
影片聚焦警界传奇“三叉戟”组合——“大背头”崔铁军（黄志忠 饰）、“大棍子”徐国柱（姜武 饰）、“大喷子”潘江海（郭涛 饰）。三位警界老炮在临近退休之际，意外卷入一场惊心动魄的巨额金融大案！ 幕后黑手企图解冻数十亿资产，不惜雇佣黑道势力动用极端手段进行洗钱。一切的背后隐藏着更为错综复杂的罪恶网络与人脉关系。面对对手的诱惑与重重困难，“三叉戟”能否坚定信念，携手破获此案，将罪犯绳之以法？
◎5.7▶我们的费尔斯特先生去世了
In beautiful sunny afternoon in Prague, a man of a certain age discusses his love of Provence. Suddenly, a black flag is suspended. The composer Foerster died. Graduation film of director Jirí Menzel.
◎7.5▶火拳快影
foster brother, HENRY, in San Francisco. Henry reluctantly takes him in but finds their old feud is far from extinguished. Then Bolt falls for SONYA - Henry's ex-girlfriend. As the mafia closes in, Bolt, Henry and Sonya must band together to fend off the mafia - while trying not to kill each other in the process. Written by Phil Gorn
◎7.5▶盲目的丈夫们
Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
◎5▶父亲的胸怀
出品单位 北京霄海佳视影视文化传播有限 农村单亲家庭的春妮虽然考取了中学但是因为没钱上学面前辍学，父亲老周经过一番痛苦挣扎后，在村干部的帮助下，终于帮女儿实现了上学的愿望……
◎4.6▶水浒传
梁山好汉攻打曾头市时，晁盖不慎被史文恭毒箭射中面颊身亡。为替他报仇，军师吴用和黑旋风李逢潜入大名府，企图说服卢俊义（丹波哲郎）入伙梁山，达到“用卢制史”的目的，但潜心习武的卢俊义一直犹豫不决。不料隔墙有耳，事情被与卢俊义妻子有染的管家李固闻悉，向官府告发后卢俊义被捕，不日将以“私通梁山贼寇”罪名被斩首示众。 卢俊义的心腹浪子燕青（姜大卫）前往梁山求救，宋江得信后立刻调派林冲（岳华）、武松（狄龙）等人去劫法场，一场梁山好汉与官府的大战就此展开。
◎--▶激情邀约
改编自2020年西班牙电影《多愁善感》。 一对结婚多年的夫妇婚姻出了问题，一天碰巧邀请楼上性观念开放的邻居来家做客，这一夜充满意想不到的转折，逐渐揭示他们内心深处压抑的情感和未曾探索过的性取向。
◎--▶乐土之狱
17岁的英国孤女露西·格拉德威尔失去双亲后，遵照遗嘱漂洋过海，来到热带海岛上的橡胶种植园，投奔担任庄园主的叔叔乔治·休顿。这片风光旖旎的乐土看似是新生的归宿，实则处处是森严的规则与无形的枷锁。叔叔的严苛控制、阶层的巨大鸿沟，让她处处感到窒息。她与当地青年克里希纳暗生情愫，这场跨越身份与种族的禁忌之恋，彻底点燃了她与整个旧秩序的对抗。
◎--▶感觉就像爱
暂无简介，敬请期待
◎--▶欢迎回家，宝贝
朱迪思是柏林的一名急诊医生。当她从奥地利的一家人那里继承了一栋房子，而这家人正是她在童年时期被送给的收养家庭时，她踏上了揭开自己身世之谜的旅程。然而，这一探寻最终变成了一场噩梦般的探索，不仅揭开了过去的面纱，还深入到了她灵魂深处的黑暗地带。
◎--▶万恶之恶
In detail, The Villain of Villains follows 12-year-old rebellious Stephanie, who dreams of becoming a superhero like her late mother but fails the entrance exam to the Hero School. She gets a second chance if she infiltrates the Villain School to retrieve a powerful artefact that's been stolen. At the Villain School, her loyalty is tested, and her search leads her to the Villai...
◎--▶热血大陈岛
影片以大陈岛垦荒历史为创作底色，在尊重历史真实性的前提下，以年轻化、科技化的光影语言活化红色记忆，生动诠释了“艰苦创业、奋发图强、无私奉献、开拓创新”的大陈岛垦荒精神，斩获第五届亚洲国际青年电影展金兰奖“最佳AI影片”等两个奖项。