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小天使以雅
全能的神确实存在，并且居于布鲁塞尔寻常住宅？还用电脑掌管一切生命？《小英雄杜杜》鬼才导演继《小国民尼谟》后又一奇幻狂放之作，这次斗胆玩转宗教。原来神不只有独生子道成肉身，还有个反叛的十岁女儿，对人
导演：暂无 主演：伯努瓦·波尔沃德/凯瑟琳·德纳芙/弗朗索瓦·达密安/友兰达·梦露/皮利·格劳恩/劳拉·薇琳顿/塞尔日·拉里维埃尔/约翰·雷森/马可·洛伦兹尼/多米尼克·阿贝尔/薇薇安·德·莫恩科/约翰·海尔登贝格/帕斯卡·杜奎奈/哈里·克莱文/安妮-玛丽·卢珀
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◎--▶瘴气营地的青春性事与死亡
两个女人陷入“欲望、恐惧和谵妄的血腥世界”和一场戏中戏：一个女导演迷恋上了一名女演员——该导演执导的经典砍杀恐怖片《瘴气营地》翻拍版的原版里，出演“活到最后的女孩”的那位。同时，邪恶的存在出现了。
◎8.2▶脱衣舞娘
艾琳·格兰特（黛咪·摩尔 Demi Moore饰），一位因没有稳定工作和收入而失去女儿抚养权的单身妈妈。深爱着女儿的艾琳，不想把女儿留给无赖前夫达雷尔·格兰特（罗伯特·帕特里克 Robert Patrick饰），只能每晚都去佛罗里达的一家酒吧里跳脱衣舞赚钱，以争回领养权。 好色的国会议员戴维·迪尔贝克（伯特·雷诺兹 Burt Reynolds饰）是迷恋她的客人之一。一晚，艾琳被一个酒鬼纠缠。戴维上前用酒瓶痛打了那个酒鬼。然而这一幕却被艾琳的一个迷恋者拍下，不仅戴维的身份随之暴露，戴维也开始遭受他的恶意敲诈。然而没过多久，敲诈者就被人谋杀，溺尸水塘。警探加西亚（阿曼德·阿山特 Armand Assante饰）奉命侦办此案。在抽丝剥茧的调查过程中，一连串的意外事件也随之而来。
◎3.9▶一笼傻鸟
本片是法国同志电影中的经典之作，导演莫里纳罗还凭借着部影片获得了1980年奥斯卡最佳导演的提名，该片还获得1980年奥斯卡最佳服装设计、最佳剧本的提名。男主角米歇尔·塞罗特，也就是阿尔宾的饰演者还获得了1979年法国凯撒奖的最佳男主角奖，影片还获得了1980年美国金球奖的最佳外语片大奖，在美国获得了很大的成功，甚至还有一部美国的1999年翻拍版本问世。
◎6.8▶92霸王花与霸王花
第四届霸王花如期毕业成队，适逢一群悍匪冲入医院抢夺同伙，霸王花迅速投入战斗，可惜寸功未建，令上峰胡警司颇为难堪，警界推出的“金装霸王花”Madam杨（杨丽菁 饰）依赖一身硬功夫和高科技装备，表现颇
◎5.5▶薄荷的滋味
卡罗索（乔治斯·科拉菲斯 Georges Corraface 饰）因为要参加同学聚会，而回到了阔别已久的故乡，在那里，熟悉的景象勾起了他无数的回忆，也让那个隐藏在他回忆深处的人影渐渐清晰起来。这个人是卡罗索的表妹马丽娜（Markella Pappa 饰），两人是青梅竹马的玩伴，整天就在一起虚度无忧无虑的童年。随着年龄的增长，卡罗索和马丽娜都渐渐意识到两人之间性别的不同，本来单纯的友谊也慢慢变成了爱情，此时，卡罗索的父母选择将儿子送进了教会学校，两人的缘分就此终结。 一晃眼多年过去，卡罗索如他童年时代许下的愿望那般，真的成为了一名飞机工程师，同学聚会当天，他意外的接到了来自马丽娜的电话。
◎6.3▶99法郎
根据法国作家佛雷德里克•贝格伯德同名小说改编。奥克塔夫（让•杜雅赫丹 饰）是知名广告公司的创意总监，在厌倦了时尚名流们奢侈攀比的浮华生活之后，他决定写一本恶毒攻击公告行业的书，作为辞职前的告别演出。打着收集素材的旗号，他开始了堕落的生活，与名流们出入各类声色场所，每个周末都在毒品、性与死亡的包围中度过，直到他遇见一个名叫索菲亚（瓦伊娜•乔康 饰）的女孩。爱情让奥克塔夫暂时从物欲横流的世界抽身出来，当他想享受宁静生活的美好，却发现已经为时已晚。©豆瓣
◎3▶演员男友
乡村少年韦小包在青梅竹马姜雅的陪同下，一起闯荡大城市，韦小包追求自己演员的梦想，两人一路遇到种种诱惑，坎坷挫折……
◎4▶希腊环游记
影片除了喋喋不休的逗趣逗嘴，观众还将追随影片中欣赏到著名的德尔菲的阿波罗神庙、雅典的古阿格拉、埃皮达鲁斯的古剧院、独特的海德拉岛、迪罗斯的洞穴、内斯特的宫殿、皮洛斯的尼奥卡斯特罗要塞和古斯塔吉拉等美丽风光。
◎4.2▶妄人妄途
狡猾的小偷盯上了一名患有阿兹海默症、需要搭车离乡的老人。但当他企图下手时，这趟旅程却变得离奇又暴力。
◎6.4▶福星急转弯
麦克是查普曼公司的一名职业经理人。平时的工作就是凭借其小时候主演的电视剧《与麦克在一起》而赢得的知名度来招募儿童演员，经过形象设计和专业表演指导后向需要制作广告片的生产商推荐，然后按照比例收取费用维持公司的运行。为此，麦克的身边聚集着一群各具特长的孩子。巴瑞就是这群孩子中的一位，只是巴瑞的傲慢使彼此之间的合作显得并不默契。 感恩节这天，麦克为一家火鸡快餐店开张剪彩后，在大街上碰到了一个叫安吉的小姑娘。由于家庭的原因，安吉养成了偷窃的恶习。在看过安吉因再次行窃而被失主抓住的一番表演后，一种直觉告诉麦克，在安吉的身上有着其他孩子无与伦比的表演天赋。于是，麦克冒以父亲的名义把安吉从围观的人群中解救出来，并达成了合作的协议。 第二天，安吉带着生活用品不请自到地住到了麦克脏乱不堪的家里。经过短暂的培训后，麦克就把安吉推荐给了阳光灿烂饼业集团的老总柯可兰先生。结果，安吉的表演不负众望，广告片的摄制也非常成功。就在麦可和搭档埃德为安吉的成功欣喜不已时，由于安吉在文件上不真实的签名引发了法律问题，已经摄制好的广告片为此也不得播出。 为了帮助安吉因家庭原因造成的心灵孤寂，麦可特意找到安吉的爸爸，并在圣诞节到来这天举办了一个别出心裁的聚会。麦克的真诚让安吉无比的快乐，当安吉得知麦克赖以生存的查普曼公司因为巴瑞的“跳槽”而面临破产时，安吉用孩子们自己的方法把巴瑞找了回来，一群天真快乐的孩子终于又得以能和麦克在一起。
◎5.2▶一如既往
A contemporary comedy about two people who meet just as their previous relationships have imploded in ugly fashion. In a desperate bid to reboot their romantic fortunes, they play fast and loose with the facts and ignore more red flags than you'd see in a Chinese Army parade in order to start something fresh with each other. Then, just 10 days into their new lives, the jig is up and the wheels start coming off the love wagon in hilarious and surprising ways.
◎9.6▶纽约夜月情
Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.' By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses. Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together. One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around. While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with hisher partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken. Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...
◎--▶大器晚成2025
纽约传奇诗人埃德·萨克斯伯格沉寂多年的诗集被一群年轻艺术家重新发掘，迫使他重审自我价值。剧团善变女演员格洛丽亚——这位擅于玩弄情感的天才，正欲俘获这位粗粝纽约黄金时代遗老的倾慕。影片以辛辣反讽与意外深情，剖解赞美对灵魂的幻影效应，以及往昔幽灵般的萦绕——无论它是臆想抑或鲜活的记忆。
◎--▶忘年之约
一对年龄差距较大的情侣如何经营他们的恋爱关系。
◎--▶穷煞鸳鸯
The film is billed as a Southern-fried siege, with shades of Dog Day Afternoon and Die Hard, which centers on Bailey, an exotic dancer with big dreams. She and her Army vet husband Tim are fed up with their lives of barely getting by in small-town Arkansas, so they decide to rob the strip club that employs her.
◎--▶挖掘者
世界上最有权势的男子（汤姆·克鲁斯 饰）极力证明自己其实是人类的救世主，结果等来了他酝酿的灾难要摧毁万物。
◎--▶疯狂穷富翁
AlThahabi（الذهبي，意为 "黄金家族"）的名号在利雅得社交圈闪耀了数十年 —— 至少他们自己希望人们这样相信。家族族长 Sultan 坐镇董事长之位，妻子 Alanoud 把签支票当作结束对话的优雅方式，大女儿 Reem 精于筹划，儿子 Bandar 自诩为世界级演员，小女儿 Lulu 则是全家最年轻的成员。 当财富与地位的光鲜外表开始出现裂痕，这家人必须使出浑身解数维持体面。他们极擅长看起来很有钱，更擅长假装一切安好。家族名号依然闪闪发光，但它究竟是不是真金？
◎--▶香蕉般的兄弟们 Vaazha II: Biopic of a Billion Bros
四个被贴上失败者和麻烦制造者标签的朋友，在面对日益增长的社会压力时，踏上了一段自我发现的情感之旅。他们学会承担责任，并以自己的方式找到成功。 Four friends labeled as losers and troublemakers embark on an emotional journey of self-discovery as they face mounting social pressure. They learn to embrace their responsibilities and find success on their own terms.