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特别2020
Jerry Harford认为老婆背着自己外遇，他最好的朋友鼓励他以眼还眼，但却导致不堪的恐怖后果。Jerry开始陷入一个没有终点的超自然恶梦，好似暗黑版的《致命的吸引力》（Fatal Attraction）。
导演：暂无 主演：DavyRaphaely/戴夫·谢里登/莎拉·弗伦奇/DougHenderson/SusanMoses/PaulCottman/WayneShearer/TonyBarber/LisaBudwig/LeslieTalley/JanaePalmer/AleksandraSvetlichnaya/ChristinaDiNicolo/NicDetorie/SheriFairchild
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◎9.8▶第三个人2007
肖风（陶虹饰）与妹妹肖可（高园园饰）小时候父母被残忍杀害，相依为命地长大。肖风嫁给了保险评估员何伟（徐峥饰）——一个干净斯文认真努力的好男人，一家人平静地生活着。只有患了脑瘤的肖可被病魔折磨得对感觉不到人生任何乐趣，但是自从她认识了颓废的男人并发现了当年父母血案的新线索，她的人生目标就成为找出杀害父母的真凶。何伟成为了最大的嫌疑人。她把何伟绑起来，一字一句粉碎了何伟的谎言，而何伟爆发中强奸了肖可。这是一个起手无悔的棋局，所有人都是悲剧的棋子。
◎9▶12到午夜
A detective, despondent after the murder of his wife and forced to resign, is brought back to the force when a serial killer appears to be taunting him and turns out to be superhuman.
◎9.9▶生死绝境
Hayley Udall tries to make ends meet for herself and her 14 year-old daughter while providing alimony for a horrible ex-husband. She wishes her problems with her ex could go away, and upon venting her frustrations one night, finds herself tangled up in a pact with two people (Melanie and Kevin) to eliminate each other's problems. It seemed innocent wishful thinking before, but as people end up dead-including Hayley's ex-husband-Hayley is trapped to fulfill the pact or risk taking the fall for murder. She tries to clear her name but the police (led by Detective Marks) is eyeing her for her ex-husband's death as well as others. Then Melanie abducts Hayley's daughter as leverage for Hayley to follow through and kill one last person. With Detective Marks trying to find the truth, Hayley must hurry to save her daughter and find a way to avoid murder.
◎3.3▶灵魂摆渡之风华绝代
近日，由北京完美建信影视出品，倪虹洁特别出演的新剧《灵魂摆渡3》曝光了剧场版《风华绝代》的两版预告。倪虹洁在剧中大胆挑战了带刺野玫瑰风格的角色。不仅身穿白裙微露大腿，还言语挑逗师傅，似是上演了一出禁忌恋情。而在另一版预告中，倪虹洁梳起“大背头”，以男装造型登场，眼尾轻挑、眼神迷离的野性风格“色诱”荧幕前的老司机。反差如此过大，网友强烈期倪虹洁上演的“双面魅力”。 有着口碑和点击量双好评的《灵魂摆渡》，时隔一年终于以完结篇的形式回归荧屏。演员倪虹洁加盟《灵魂摆渡3》最受期待的剧场版《灵魂摆渡之风华绝代》，扮演了一位充满神秘色彩，而又雌雄莫变的“野玫瑰”。
◎7.9▶外星恶客
Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
◎6.7▶郑进奇谈的故事
李子軒是學西洋美術的學生，卻熱衷民俗藝雕刻，尋訪民俗藝術雕刻家『阿榮師』懇請傳藝。皎潔的月色下，子軒巧遇『行芝』，她是一位美麗的女孩。他們有情、有意、一段纏綿的愛情，就這樣開演了。阿榮師提醒子軒要
◎5.6▶最后幸存者1974
A group of diverse individuals are suddenly taken from their homes and flown via helicopter to a futuristic bomb shelter in the desert, one-third of a mile below the surface of the Earth. There, they learn that a nuclear holocaust is taking place and that they've been chosen by computer to survive in the shelter in order to continue the human race. The shelter is designed to allow the people to exist underground comfortably for years, but they are faced with a threat nobody could have predicted a colony of thousands of bloodthirsty vampire bats finds a way into the shelter and launches a series of vicious attacks where they claim the humans one by one.
◎6.8▶蛛网男孩
八岁的彼得（伍迪·诺曼 Woody Norman 饰）经常受到来自卧室墙壁内的神秘的、持续的敲墙声的困扰——他的父母坚持认为这种敲击声只是他的想象。随着彼得的恐惧加剧，他相信他的父母可能隐藏着一个可怕、危险的秘密，并逐渐丧失对他们的信任。对于一个孩子来说，还有什么比这更可怕的呢？
◎3.5▶饿鬼食堂
故事灵感来自于一次导演返乡出席祖母丧礼且受到民间传说“目连救母”的启发，叙述了女主角餐车厨师 Bonnie 在接手家族咖啡店生意后，意外发现已故母亲变成饿鬼，她与关系不好的父亲 Bobby 在拯救母亲的亡魂和家族咖啡店生意的过程中，重新认识了盂兰节的意义。
◎5.6▶暗夜之女
伊丽莎白女伯爵（德菲因·塞里格 Delphine Seyrig 饰）是一只生活了上千年的吸血鬼，带着她的女秘书，两人游遍了欧洲各国，也品尝到了不同地方的少女的新鲜血液。尽管吸血鬼不会因为衰老而死亡，但随着时间的流逝，伊丽莎白还是会感到有些力不从心，再加上她的女秘书总是和她闹别扭，伊丽莎白决定为自己寻找一具全新的年轻的躯体。 很快，伊丽莎白就将目标放到了一对住在奥司登某间旅馆里的夫妻身上，妻子（丹妮尔·维梅特 Danielle Ouimet 饰）因为发现了丈夫（约翰·卡伦 John Karlen 饰）古怪而又可怕的怪癖，而准备离他而去。女伯爵精心设计的计划能够顺利实施吗？
◎7.1▶林屋惊魂
When a couple visits a remote cabin and cross paths with a compulsive liar, their vacation takes a dramatic turn for the worse.
◎9.8▶怪人
Scientists and American Air Force officials fend off a blood-thirsty alien organism while at a remote arctic outpost
◎--▶名模大战狼人
In Models vs. Werewolves, five young models go to an AirBnb in the woods for a full moon that comes once every 500 years. What starts off as the perfect girl’s trip quickly becomes a nightmare as a pack of ancient werewolves are awoken by the new moon…
◎--▶血魔
故事发生在一个偏远的山村，那里闹鬼，闹鬼的是一种可怕的超自然实体——菲蓬（Phí Phông）。菲蓬白天生活在人类之中，晚上则偷偷地吸食人类的血液和生命力。
◎--▶遗爱
藤井佳奈因父亲离世回到老家开始照料母亲。她全心全意地照顾母亲仿佛想要挽回与之错失的过往时光，可周遭接连发生的诡异异变让她渐渐心生不安。遗留的爱，变成了“某种东西”...
◎--▶病院尸录
年轻的保安爱德华在威尔希尔诊所找到了一份工作，帮一个地产公司看管一个破败的、废弃的精神病院——他的唯一同伴是莱斯特，一个即将退休的保安。当一名神秘的闯入者闯入并消失得无影无踪时，情况迅速恶化。不久之后，莱斯特消失在建筑的深处，只留下爱德华独自一人，手里拿着手电筒、身体相机，以及意识到精神病院黑暗的历史并非过去——它还活着。
◎--▶夜幕调查
1988年6月6日，傍晚6点。两位年轻的超自然调查员重返伊丽莎白·布莱尔的住所。这是他们的第13号案件。
◎--▶迷情谎惑
结束长期的海外出差归来，泰莉（Terri）回到家中，却震惊地发现自己新购置的联排别墅里竟住着一位神秘而极具魅力的陌生男子——马库斯（Marcus）。在发现双方都沦为了同一起房地产诈骗案的受害者后，两人决定联手揭露背后的犯罪团伙。 在热烈追求正义的过程中，两人之间擦出了炽热的爱火，使欲望与危险的界限变得模糊不清。随着他们越陷越深，踏入诈骗团伙凶险的地下世界，这场共同的任务演变成了一场诱人的情欲共舞，复仇的决心与炽热的激情危险地缠绕在一起。 然而泰莉始料未及的是，他们紧追不舍的调查竟剥开了一个由极寒谎言织就的迷宫，其惊悚程度远远超越了她最深沉的噩梦。随着剧情层层反转，怀疑的阴影笼罩在每一个人头上——从心怀不轨的房产中介，到虚伪狡诈的律师，无一幸免……