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拉丁男孩的天空◎5.5

拉丁男孩的天空

在纽约皇后区郊一家废旧汽车站工作,青春年少的拉丁男孩Alejandro生活过的穷困潦倒,在这个混乱的成人的世界里,他努力的让自己与他一直相依为命的姐姐过上更好的生活~

水怪◎9.7

水怪

民国年间,与世隔绝的怪水村被湖中“水猴子”所扰。此物实为濒危水栖人猿,能模仿人言诱杀村民。少年水生幼年目睹父亲惨死其手,自此深陷恐惧。村中长老三叔公借祭祀之名行愚昧统治,以活人献祭暂息水怪,却埋下更深祸根。连年暴雨与人为侵扰激怒水猴子,袭击频发。当香兰之弟被食、其父莫叔反抗被杀,香兰决意以身献祭复仇。水生幡然觉醒,不再逃避,联合青年村民布设机关陷阱,假借献祭诱敌。恶战后水怪被擒,却于庆功夜破笼而出,血洗村庄,三叔公亦命丧其口。村民终于醒悟:迷信退让换不来平安。水生断发持叉,率众设伏,以智慧与血勇将水怪斩杀。晨光中,他与香兰相扶而立,唯有直面恐惧、团结抗争,方能驱散千年阴霾,重获新生。

爱的激流◎3.4

爱的激流

这部电影描述了一位作家哈蒙(John Cassavetes饰)和他的妹妹莎拉(Gena Rowlands饰)生命中的几天。电影中的大部分情节都是在哈蒙的家里发生的,他们在生活中挣扎:哈蒙过着极其颓废的生活,靠酒、烟、以及一段段短期的和女人的关系度日:或者是工作关系认识的女人,或是娱乐场所认识的女人。他也是一个非常不称职的父亲,把自己12岁的儿子扔在酒店的旅馆里里,甚至还教他学喝酒。而他的妹妹莎拉因为她的疯狂的言行正在和自己的丈夫离婚,她的女儿想要和父亲生活在一起,这给她极大的伤害,几乎精神崩溃。在电影的结尾,莎拉离开了哈蒙的家,和另外一个男人在一起,而哈蒙走到银幕前给观众说再见,也和自己的生命告别。

不安分的年轻人们◎9.3

不安分的年轻人们

Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...    Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.    Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.    Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.    Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

卖了我老公◎5.7

卖了我老公

喜劇映画の名匠・瀬川昌治が、フランキー堺、佐久間良子、森光子の豪華キャストで描くコメディー映画。伊賀上野市きっての金持ち神代家の当主・里子は二度結婚するが二度とも半年足らずで夫に先立たれてしまった未亡人。まだ若く美しいが、三度目はあきらめている。神代家の副支配人の石上弘はこれを出世のチャンスとばかり再婚相手を探し、候補としてうだつのあがらない運転手・山内杉雄を見つけるが、彼にはなつ枝という年上女房がいて…。

辩护人◎6.1

辩护人

1978年,只有高中学历的宋佑硕(宋康昊 饰)通过多年的艰苦努力,终于通过司法考试,并在成为法官后很快转行成为一名律师。他敏锐地从最新政策中嗅到商机,以不动产代书业务起家。虽然被同行讥讽为随时随地派发名片的夜店小弟,但佑硕不以为忤,一步一步朝着心中的目标迈进。他依靠赚来的钱让妻儿过上富足的生活,也还了七年前在饭店大婶那里欠下的良心债。进入20世纪80年代,韩国民主化斗争愈演愈烈。佑硕全然不管窗外事,关起门来继续赚钱。然而社会的巨变已经不容他置身事外,饭店大婶的儿子朴镇宇因从属的釜山读书联合会被控为左翼社团而遭到逮捕,更受到残酷的虐待和不公的指控。  虽然爱钱却更重感情的佑硕,就这样走上了为民主辩护的道路……

犀牛◎5.5

犀牛

在20世纪90年代的乌克兰,一个绰号“犀牛”的年轻人从一个小偷开始,很快在犯罪集团中步步高升。犀牛只知道权力和残酷,但没有什么可失去的了,他最终能找到救赎的机会吗?

英雄人物◎6.8

英雄人物

党首哥顿(柯受良)连同数名不同背景的贼党策划了连环洗劫金行大买卖。行动当日,警方以李Sir(李修贤)为首与匪徒发生激烈枪战,械劫兵团四处逃窜,其中阿虎与阿龙一同杀出重围,而其他党羽却死在警方乱枪之下。老鼠怀疑阿龙是警方卧底,与阿龙发生激烈冲突,阿虎一力保着阿龙,拿出手枪互相恐吓,幸在最后关头豺狼突然出现,平息了两人风波。豺狼准备烧死劫回来的女子之际,阿龙开枪射杀豺狼,哥顿正要一枪将阿龙解决之时,警方开始了围攻行动。影片主要叙述的是黑社会中体现英雄形象的故事,在大哥哥顿的影响下,其手下都是嫉恶如仇的形象,但同时也有英雄的气概,并不像一般的黑社会那样缺乏英雄的气概。

和气蔼蔼◎5.3

和气蔼蔼

几个小故事讲述不同小人物的生活。

西游超级粉◎6.2

西游超级粉

故事发生在4个小学生身上。  这一天,他们被一片描述自己家乡的作文难住了。争论后,大家决定乘坐万能机器人布鲁变出的时光机,到远古参观旅游寻找灵感。可无奈卷入了一场外星人侵略原始部落的离奇事件中。最终4个小学生通力合作,成功的战胜了强大的外星人,帮助新结识的朋友小曼拯救了浓眉族原始部落。喜悦中大家发原始部落正是自己家乡的原型。就这样他们回到现代,经过这次大冒险,每个人都满意的写出了一片满是真心话的作文。

人鱼童话◎8.1

人鱼童话

杰西是一个由他人代养的孩子,离家出走逃到海洋公园,跟那里的鲸鱼交上了朋友。当黑心的公园主为了骗取保险金,打算杀死鲸鱼时,杰西自然会奋不顾身救朋友一命。  影片的模式有点像《外星人》,但煽情技巧更初级。影片包含着对天然、对动物的热爱,适合当作儿童素质教育的材料。

幸福的小杨屯◎5.3

幸福的小杨屯

出品单位 北京申开影视文化有限公司  本片讲述了一个“吃亏书记”张国忠带领全村群众,自1949年至今,历经63年的历程,将一个“要饭村”转变成“小康村”的故事……

欢迎回家,宝贝◎--

欢迎回家,宝贝

朱迪思是柏林的一名急诊医生。当她从奥地利的一家人那里继承了一栋房子,而这家人正是她在童年时期被送给的收养家庭时,她踏上了揭开自己身世之谜的旅程。然而,这一探寻最终变成了一场噩梦般的探索,不仅揭开了过去的面纱,还深入到了她灵魂深处的黑暗地带。

万恶之恶◎--

万恶之恶

In detail, The Villain of Villains follows 12-year-old rebellious Stephanie, who dreams of becoming a superhero like her late mother but fails the entrance exam to the Hero School. She gets a second chance if she infiltrates the Villain School to retrieve a powerful artefact that's been stolen. At the Villain School, her loyalty is tested, and her search leads her to the Villai...

热血大陈岛◎--

热血大陈岛

影片以大陈岛垦荒历史为创作底色,在尊重历史真实性的前提下,以年轻化、科技化的光影语言活化红色记忆,生动诠释了“艰苦创业、奋发图强、无私奉献、开拓创新”的大陈岛垦荒精神,斩获第五届亚洲国际青年电影展金兰奖“最佳AI影片”等两个奖项。

破暗◎--

破暗

暂无简介,敬请期待

猎虎贰◎--

猎虎贰

暂无简介,敬请期待

港城大劫案◎--

港城大劫案

暂无简介,敬请期待