内容简介
出品单位 陕西西影文化传媒有限公司 本片讲述了留学归来的李婷回到有着瓷都之称的德化县，因为一次意外偶遇陶艺老师唐杰。两人为了共同的陶瓷艺术使命而惺惺相惜，共同推动德化陶瓷文化，也成就了一段美好姻缘……
相关推荐
◎5.7▶橡树男孩
故事发生在第二次世界大战期间，西蒙（比尔·斯卡斯加德 Bill Skarsgård 饰）成长于一个普通的工人家庭之中，虽然父亲和母亲都深深的爱护和关怀着西蒙，但是在这个家庭之中，西蒙始终感受到一股梳理与陌生，连他自己都不知道这是怎么一回事。 西蒙热爱阅读，可是他的家庭中却缺少这种气氛，不顾父亲的反对，西蒙决定进入学校学习。在学校里，西蒙结识了名叫伊萨克（卡尔·林勒托普 Karl Linnertorp 饰）的犹太男孩，伊萨克的父亲是一名书上，趣味相投的两人很快就成为了无话不谈的好友。一次偶然中，西蒙震惊的发现自己并非父母的亲生骨肉，他决定踏上寻找亲人的旅途。
◎9.3▶地中海惊魂（下）
The story of the hijacking of the Italian luxury liner Achille Lauro by four Palestinians.
◎6.3▶女孩站起来
莱拉从小就热爱跳舞，上中学的时候，她接触了嘻哈舞蹈，并且组建了自己的舞团，名叫黑芭比组合。她们得知，巴黎是一个大的舞台，可以实现她的舞蹈梦想，即使父亲反对，莱拉还是头也不回地坐车去了巴黎。但是她的梦想
◎9.4▶续命之徒：绝命毒师电影
Netflix 电视内容《续命之徒：绝命毒师电影》回归，主角杰西·平克曼（艾美奖得主亚伦·保尔饰演）再次与粉丝见面。杰西戏剧性地逃出囚禁后，他必须接受自己的过去，才有可能创造未来。这部扣人心弦的惊悚片由《绝命毒师》的创剧人文斯·吉里根编写和执导。该电影由马克·约翰逊、梅利莎·伯恩斯坦、查尔斯·纽沃斯、黛安娜·默瑟和亚伦·保尔以及 Sony Pictures Television 联合制作。
◎6.6▶公仆
阿B（李修贤 饰）是和母亲同住狭小老旧公寓的便衣刑警，他为人热血办案手法大胆，令新报道的同事阿杰（艾迪 饰）大开眼界。阿杰与阿B性格迥异，一心只想通过考试晋升警官。阿B压制分别住在山上村和山下村的两位大佬小黑与红番，并通过红番手下的毒虫小弟阿成（太保 饰）买得多个线报，阿B获悉犯罪信息立下功劳，令阿杰亦得到嘉奖，二人友谊日盛一日。不久，阿成因毒瘾反复发作，犯下大错，被小黑和红番连番毒打，终至丧命，阿B调查阿成死因，追查小黑，不料却引发意外，将自己逼上绝路，而小黑也只得选择铤而走险，警匪都再别无选择……
◎4.9▶隐市奇闻录
影片以一座“没有人心，只有规矩”的人间隐市做背景，隐市规矩自成一体，从而形成了一个全新的生存世界及世界观。全片涵盖了“奇谈”、“悬疑”“药理”等多重元素，围绕 “天赋医师”白青萝（郜思雯饰）同“诡案捕快”拾生（蔡佩池饰）的破案经历，揭开了一件件跌宕起伏扣人心弦的悬案谜底，巧思设置既环环相扣又能发人深省。
◎4▶防震
Beauty contest winner Patricia Knight's one bid for screen stardom was Columbia's Shockproof. Knight plays Jenny Wright, a convicted murderess paroled in the care of probation officer Griff Marat (Cornel Wilde). What begins as an aloof professional relationship eventually blossoms into romance. The fly in the ointment is shady Harry Wesson (John Baragrey), the gambler who inveigled Jenny into committing murder. The girl is torn between creature comforts offered her by Wesson and the promise of a clean life offered by Griff. This early Douglas Sirk effort contains a smattering of the stylistic touches which distinguished his later work.The screenplay was written by famed director Samuel Fuller, known for his gritty realism and hard-boiled style. ~ Hal Erickson, All Movie Guide
◎9.5▶里约，我爱你
《里约，我爱你》是制片人埃曼纽继《巴黎，我爱你》《纽约，我爱你》之后“爱之城”系列的第三部作品，邀请全球的电影大师为世界著名城市谱写关于爱的小故事，是“爱之城”系列电影最大的特色。
◎9.5▶黎明骑士
翻拍自约翰.韦恩的经典，讲述发生在美国西部一个引人入胜的复仇故事。约翰.梅森(斯莱特 饰)是持枪抢劫的蒙面强盗。在一次任务中，他发现自己卷入一场严峻的三角爱情中。他爱上了爱丽丝，这个美丽的女人也深受他最好朋友的青睐。
◎7.4▶欧洲的某个地方
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
◎4.1▶第五惑星
故事发生在二十一世纪末，彼时地球上的各个国家终于找到了和平相处的方法。他们齐心协力，将拓展的目标放到了浩瀚的宇宙之中。然而，这片广袤的天地里还生活着其他星球的生物，在争夺资源的过程中，战争在所难免。 一场意外中，威尔（丹尼斯·奎德 Dennis Quaid 饰）乘坐的宇宙飞船坠毁在了一颗陌生的星球上，同时流落到那里，还有外星人杰瑞（小路易斯·格赛特 Louis Gossett Jr. 饰）。起初，威尔对于杰瑞充满了戒备之心，甚至屡次想置他于死地，然而，随着时间的流逝，彼此之间了解的加深，威尔发现杰瑞展现出了远超于人类的智慧和文明，两个不同星球的物种之间，建立起了坚实的友谊。
◎9.1▶挑灯斩蛇录
故事是发生在乱世之中，贫困的书生陈观，放弃科举成了志怪小说家。偶遇沉默寡言的少年剑客崔执玉，两人结伴前往蛇祸又起的长兴县，历经艰难险阻，最终合力破除邪崇，救下了同伴和百姓。